Film Sound
Engineer
Music Composer &
Sound Designer
Classical Music Engineer & Producer
Equipment
- Microphones
- Sennheiser MS set-up (Sennheiser MKH 416 – shotgun + Sennheiser MKH 30 – figure 8)
- Sennheiser MKE 600 – shotgun
- 2x Austrian Audio OC818 – multiple polar pattern
- 4x Line Audio CM4 – cardioid
- 2x Line Audio OM1 – omni
- 2x Sanken COS-11DPT – lavalier
- 3x Sony ECM-V1BMP – lavalier
- Soundman OKM II Classic A3 – binaural + Windscreen
- Aquarian Audio H2a-XLR – hydrophone
- Organic Audio Cjossul V2 – magnetic contact
- SOMA Ether V2 – electromagnetic
- Recorders/Mixers
- Zoom F6, 32bit 6 channel multitrack + Orca OR-28
- Zoom F3, 32bit + Zoom BTA-1 bluetooth
- Zoom H1n
- Headphones
- Beyerdynamic DT-240 Pro
- Shure SE215-CK
- AKG K-712 Pro
- Sennheiser HD-280 Pro
- 2x Sony MDR-ZX110
- Other
- 2x Tentacle Sync E MK2 – timecode with bnc, xlr or mini jack cable options
- Sony URX-P03D – dual channel receiver
- 2x Sony URX-P40 – receiver
- 3x Sony UTX-B40 – transmitter
- Sony UTX-P40 – P48 microphone transmitter
- 3x Ursa straps
- Rycote Stereo Cyclone MS Kit 11 + K-Tek KEG-100
- Rycote Super Blimp + 2x Rode boompole
- 2x Rycote InVision INV-OC + 4x Rycote Back-to-Back clips
- 3x Manfrotto Super Clamp + Avenger D200B Grip Head + Boom Buddy
- 6x K&M 210/6 Microphone Stand + 2x K&M 23560 Stereo Bar + 2x Red Stereo Bar SB20
